Hillel Nossek (2004) in his paper titled 'Our news and their news: The role of national identity in the coverage of foreign news', this summarising his paper's themes. Ultimately, it looked at the influences on news spefically designated by journalists through their influences. This in turn prompted me to do a search on journalists and terrorism.
I found an article titled, "eTerror: Journalism, Terrorism and the Internet". Essentially the soul of the article is understood through Knight and Ubayasiri's words, "the Internet has atomised the media and journalists are losing their monopoly on international news" (p. 1). Parallels were made between a prominent terrorist group al Qaeda and the Internet highlighting the striking similarities between what are both essentially organisations.
Conversely, Nossek affirms his position that terrorists, governments, audience and the media all rely on the media to promote their cause, to reach out, to tell, to know and to understand. Nossek describes journalists and editors as 'gatekeepers' of news as it is this group that applies the sets of norms to the profession and delivers the news that he shoes as shaped by both internal and external constraints. An important argument Nossek makes that "bias in foreign news coverage produced by established broadcasting networks is usually consistent with the foreign policy of the network's government" (p. 347), thus concluding that journalists will always be influenced by domestic policy and illustrating arguments in prior blogs that confuse media control and make it more difficult to presume who decides what is newsworthy.
The 'eTerror' article suggests with the new communication technology- the Internet, journalists and editors have been surpassed with anything qualifying as newsworthy and the ability to access the greatest numbers in the audience. Terrorists have found a medium, a form of media to publish their ideas, to broadcast to the world without fear of being sensored.
Interestingly, in reading the 'eterror' article and the mentions of terrorist groups blacklisted by US government agencies like the FBI and CIA, what struck me were their names. For example, one group called 'Basque Fatherland and Liberty (ETA)' or 'The Popular Front of the Liberation of Palestine (PFLP)'. This really illustrates Cottle's arguement of myth building in the media. What is considered a liberationist group in Palestine is depicted as a terrorist group in Western media. I decided to further research into what is blacklisted as a terrorist site, the 'Basque Fatherland and Liberty' (ETA). It describes itself as a right-wing nationalist party which was "transformed into a powerful political strategy". It considers itself as :
I found an article titled, "eTerror: Journalism, Terrorism and the Internet". Essentially the soul of the article is understood through Knight and Ubayasiri's words, "the Internet has atomised the media and journalists are losing their monopoly on international news" (p. 1). Parallels were made between a prominent terrorist group al Qaeda and the Internet highlighting the striking similarities between what are both essentially organisations.
Conversely, Nossek affirms his position that terrorists, governments, audience and the media all rely on the media to promote their cause, to reach out, to tell, to know and to understand. Nossek describes journalists and editors as 'gatekeepers' of news as it is this group that applies the sets of norms to the profession and delivers the news that he shoes as shaped by both internal and external constraints. An important argument Nossek makes that "bias in foreign news coverage produced by established broadcasting networks is usually consistent with the foreign policy of the network's government" (p. 347), thus concluding that journalists will always be influenced by domestic policy and illustrating arguments in prior blogs that confuse media control and make it more difficult to presume who decides what is newsworthy.
The 'eTerror' article suggests with the new communication technology- the Internet, journalists and editors have been surpassed with anything qualifying as newsworthy and the ability to access the greatest numbers in the audience. Terrorists have found a medium, a form of media to publish their ideas, to broadcast to the world without fear of being sensored.
Interestingly, in reading the 'eterror' article and the mentions of terrorist groups blacklisted by US government agencies like the FBI and CIA, what struck me were their names. For example, one group called 'Basque Fatherland and Liberty (ETA)' or 'The Popular Front of the Liberation of Palestine (PFLP)'. This really illustrates Cottle's arguement of myth building in the media. What is considered a liberationist group in Palestine is depicted as a terrorist group in Western media. I decided to further research into what is blacklisted as a terrorist site, the 'Basque Fatherland and Liberty' (ETA). It describes itself as a right-wing nationalist party which was "transformed into a powerful political strategy". It considers itself as :
The political and military struggle for independence is led by Euskadi Ta Askatasuna (ETA, Basque Homeland and Freedom), the Basque national liberation army which transformed the conservative ideology of Basque nationalism into a progressive movement
It sees itself as progressive and in a struggle for independence. On first sight, I could not understand what would blacklist them as involved in terrorist activity until I further looked into the site discovering their first political acts as placing explosives in various cities in 1959. Although I now can understand what classes them as a terrorist group, reading this group propaganda, using the Internet as their media, I almost felt compelled to understand their cause. See that they just want independence for their nation, driven my patriotism.
Seeing the creation of myths in media, I would like to explore this idea more and possible further in my essay. It would definitely be worthwhile for the discussion of terrorism as it really illustrates the alternative ways which things can be viewed which I think is incredibly important in understanding the media and the society in which it works.
